Die EOS C400 ist die erste High-End Cinema EOS Kamera mit dem hochwertigen RF Bajonett und läutet eine bahnbrechende neue Ära für Canon Produkte ein – speziell für das EOS R System. Ihr kompaktes und leistungsstarkes, innovatives Designkonzept vereint fortschrittliche Funktionen und Spezifikationen, die normalerweise in größeren Kameras zu finden sind. Das handliche Design stellt Benutzerfreundlichkeit und Bedienbarkeit in den Vordergrund, ohne Kompromisse bei der Leistungsfähigkeit einzugehen. Darüber hinaus bietet sie spezielle Schnittstellen wie z.B. Genlock, einen Return-Eingang und einen 12-poligen Objektivanschluss für Liveproduktionen mit Multi-Kamera-Setup.
6K BSI-Vollformatsensor und Triple Base ISO
Die EOS C400 ist mit einem hochmodernen 6K-BSI-Vollformat-CMOS-Sensor (Backside- illuminated Sensor) ausgestattet, der einen Dynamikumfang von 16 Belichtungsstufen bietet. Diese Technologie steigert die Effizienz der Lichterfassung und ermöglicht schnellere Auslesevorgänge, was eine hervorragende Bildqualität gewährleistet. Die Kamera setzt neue Maßstäbe mit der Canon Triple Base ISO Technologie, die für eine optimale Leistung bei wenig Licht und makellose optische Ergebnisse entwickelt wurde. Mit Basis-ISO-Werten von 800, 3.200 und 12.800 bei Aufnahmen im Canon Log 2 oder 3, besteht mehr Flexibilität bei Aufnahmen bei herausfordernden Lichtverhältnissen.
RF Bajonett
Die EOS C400 unterstützt die Canon RF Bajonett-Technologie und kann nahtlos mit einer breiten Palette von RF Festbrennweiten-, Zoom-, Hybrid-, Cinema- und VR-Objektiven kombiniert werden. Für noch mehr Flexibilität ohne Zubehör von Drittanbietern besteht bei der Kamera die Möglichkeit, die verschiedenen Canon EF-EOS R Adapter sowie den neuen PL-EOS R Adapter zu verwenden. Darüber hinaus bietet die Kamera erweiterte Metadatenfunktionen und erweiterte Anschlussoptionen, die eine Frame-to-Frame- Datenerfassung in Echtzeit ermöglichen. Dies verbessert die Arbeitsabläufe in den Bereichen VFX und Virtual Production Workflows.
Dual Pixel CMOS AF II
Canon setzt jetzt den Dual Pixel CMOS AF II auch im Cinema EOS System ein, der mit verbesserten Autofokusfunktionen überzeugt. Der Dual Pixel CMOS AF II deckt die gesamte Sensorebene zu 100% ab und liefert eine schnelle und präzise Leistung, die beim Dreh auf Anhieb mit Klarheit und Zuverlässigkeit überzeugt. Dieses fortschrittliche Autofokus-System bietet auch zusätzliche Vorteile: Gesichts- , Augen-, Körper- sowie Tier-Erkennung und -nachführung sind besonders dann nützlich, wenn man allein in einem dynamischen Umfeld arbeitet.
Aufnahmeformate
Mit mehr Optionen bei den internen Aufzeichnungsformaten kann das Format an spezifische Bedürfnisse angepasst werden. Zu den Optionen gehören das skalierbare 12- Bit Cinema RAW Light LT/ ST/ HQ von Canon, das zuverlässige 4:2:2 10-Bit XF-AVC und die neuen MP4-basierten Formate XF-AVC S und XF-HEVC S, die verschiedenen professionellen Anforderungen gerecht werden. Dies ermöglicht perfekt aufeinander abgestimmte Workflows mit professioneller Unterstützung von Dateinamen und Metadaten.
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IMAGE SENSOR |
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Sensor |
Full Frame Back-Side Illuminated |
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System |
RGB primary color filter (Bayer array) |
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Sensor Modes |
Full Frame / Super 35mm (Crop) / |
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Total Pixels |
Approx. 26.67 megapixels (6202 x 4300) |
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Effective Pixels |
Approx. 19.05 megapixels (6008 x 3170):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution Approx. 17.86 megapixels (5633 x 3170):When 3840 x 2160 / 1920 x 1080 is selected as the resolution |
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Effective Sensor |
Full Frame: 38.4 x 20.2 mm (40.7 mm on the diagonal):When 6000 x 3164 / 4096 x 2160 / 2048 x 1080 is selected as the resolution 36.0 x 20.2 mm (38.7 mm on the diagonal):When 3840 x 2160 / 1920 x 1080 is selected as the resolution |
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Dynamic Range |
Canon Log 2:1600% / 16 stops (at ISO 800) Canon Log 3:1600% / 14 stops (at ISO 800) Base ISO : 800 / 3200 / 12800 |
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IMAGE PROCESSOR |
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Type |
DIGIC DV7 |
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LENS |
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Lens Mount |
Canon RF mount PL mount support via PL-RF Mount Adapter EF mount support via EF-EOS R Mount Adapters |
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Lens Magnification Factor |
Full Frame; 4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.06 3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.12
Super 35mm (Crop); 4096 x 2160 or 2048 x 1080 : Actual focal length x Approx. 1.46 3840 x 2160 or 1920 x 1080 : Actual focal length x Approx. 1.54
Super 16mm (Crop); 2048 x 1080 : Actual focal length x Approx. 2.92 1920 x 1080 : Actual focal length x Approx. 3.07 |
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Digital Lens Correction |
Peripheral Illumination Correction Chromatic Aberration Correction Diffraction Correction Distortion Correction (RF lenses only) |
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ND Filter |
2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode) |
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Iris Control |
1/2-stop, 1/3-stop or |
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Cooke /i Technology SupportTM |
Only when equipped with Mount Adapter PL-RF |
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Anamorphic Lens Support |
x2.0 / x1.8 / x1.3 |
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Image Stabilization System |
5-Axis Combination IS (Optical and Digital) |
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RECORDING |
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Internal Recording Media1 |
1x CFexpress 2.0 (Type-B) 1x SD Card (SD / SDHC / SDXC) |
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Recording Time2 |
Cinema RAW Light LT : 6000 x 3164 576 Mbps : approx. 118 Mins Cinema RAW Light ST : 6000 x 3164 886 Mbps : approx. 77 Mins Cinema RAW Light HQ : 6000 x 3164 1800 Mbps : approx. 37 Mins XF-AVC : 4096 x 2160 500 Mbps : approx. 136 Mins XF-AVC S : 4096 x 2160 500 Mbps : XF-HEVC S : 4096 x 2160 135 Mbps : |
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Recording Formats |
Cinema RAW Light (CRM), XF-AVC (MXF), |
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Relay Recording3 |
Yes |
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Double Slot (Simultaneous) Recording |
Yes |
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Simultaneous Recording in Multiple Formats |
Yes |
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System Frequency / |
59.94 Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00 Hz mode (50.00P / 50.00i / 25.00P) 24.00 Hz mode (24.00P) |
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Cinema RAW Light Bit Rate / Bit Depth (PAL) |
12-bit Cinema RAW Light LT : FF / 6000 x 3164 / 50P [1160 Mbps] FF / 6000 x 3164 / 25P [576 Mbps] S35 / 4368 x 2304 / 50P [611 Mbps] S35 / 4368 x 2304 / 25P [306 Mbps] S16 / 2184 x 1152 / 50P [154 Mbps] S16 / 2184 x 1152 / 25P [77 Mbps]
12-bit Cinema RAW Light ST : FF / 6000 x 3164 / 50P [1780 Mbps] FF / 6000 x 3164 / 25P [886 Mbps] S35 / 4368 x 2304 / 50P [939 Mbps] S35 / 4368 x 2304 / 25P [470 Mbps] S16 / 2184 x 1152 / 50P [236 Mbps] S16 / 2184 x 1152 / 25P [118 Mbps]
12-bit Cinema RAW Light HQ : FF / 6000 x 3164 / 25P [1800 Mbps] S35 / 4368 x 2304 / 50P [1910 Mbps] S35 / 4368 x 2304 / 25P [954 Mbps] S16 / 2184 x 1152 / 50P [479 Mbps] S16 / 2184 x 1152 / 25P [240 Mbps] |
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XF-AVC Recording Bit Rate / Sampling (PAL / MXF) |
4:2:2 10-bit (Intra-frame) : 4096 x 2160 or 3840 x 2160 / 50P 4096 x 2160 or 3840 x 2160 / 25P 2048 x 1080 or 1920 x 1080 / 50P [250 Mbps] 2048 x 1080 or 1920 x 1080 / 50i [125 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [125 Mbps]
4:2:2 10-bit (Long GOP) : 4096 x 2160 or 3840 x 2160 / 50P [250 Mbps] 4096 x 2160 or 3840 x 2160 / 25P [150 Mbps] 2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] 2048 x 1080 or 1920 x 1080 / 50i [50 / 25 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [50 Mbps] |
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XF-AVC S Recording Bit Rate / Sampling |
4:2:2 10-bit (Intra-frame) : 4096 x 2160 or 3840 x 2160 / 50P 4096 x 2160 or 3840 x 2160 / 25P 2048 x 1080 or 1920 x 1080 / 50P [250 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [125 Mbps]
4:2:2 10-bit (Long GOP) : 4096 x 2160 or 3840 x 2160 / 50P [250 Mbps] 4096 x 2160 or 3840 x 2160 / 25P [150 Mbps] 2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [50 Mbps]
4:2:0 8-bit (Long GOP) : 4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] 4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] 2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] |
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XF-HEVC S Recording Bit Rate / Sampling |
4:2:2 10-bit (Long GOP) : 4096 x 2160 or 3840 x 2160 / 50P [225 Mbps] 4096 x 2160 or 3840 x 2160 / 25P [135 Mbps] 2048 x 1080 or 1920 x 1080 / 50P [50 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [50 Mbps]
4:2:0 10-bit (Long GOP) : 4096 x 2160 or 3840 x 2160 / 50P [150 Mbps] 4096 x 2160 or 3840 x 2160 / 25P [100 Mbps] 2048 x 1080 or 1920 x 1080 / 50P [35 Mbps] 2048 x 1080 or 1920 x 1080 / 25P [35 Mbps] |
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Proxy Recording Bit Rate / Sampling (PAL)4 |
4:2:0 8-bit (Long GOP) : 2048 x 1080 or 1920 x 1080 35 / 16 / 9 Mbps] 1280 x 720 [6 Mbps]
4:2:0 10-bit (Long GOP) : 2048 x 1080 or 1920 x 1080 [16 / 9 Mbps] |
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Slow / Fast Motion5 |
6K RAW : up to 60FPS 4K : up to 120FPS 4.3K RAW (S35 Crop) : up to 100FPS 2K (S16 Crop) : up to 180 FPS |
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Interval Record |
Yes |
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Frame Record |
Yes |
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Pre Record (Cache Record)6 |
3 Seconds |
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Digital Tele-converter |
1.5x, 2x, 2.5x, 3x, Off |
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Photo Storage Media |
SD Card |
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Photo Recording Size7 |
4096 x 2160 / 3840 x 2160 / 2048 x 1080 / |
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SYSTEM |
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Display Type |
3.5 inch LCD Touch Panel |
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Display Resolution |
approx. 2.76 million dots (1280 x RGB x 720) |
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Display Touch Screen Functions |
Focus Point Selection Touch Screen UI for Shooting Settings |
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OSD for Vertical Shooting |
Yes |
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Wave Form Monitor |
Yes (Line / Line + Spot / RGB Parade / |
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False Colour Display (Exposure Indication) |
Yes (6 Colour Index) |
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Colour Bars |
SMPTE / EBU / ARIB |
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Peaking |
Peaking 1, Peaking 2 (Colour, Gain, |
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Zebra |
Level 1; Level 2; Both |
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Markers |
On / Off selectable: centre, horizontal / vertical, grid, aspect, safe area and user marker. Colourselectable |
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EVF |
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Built-In EVF |
No |
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INPUTS / OUTPUTS |
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Audio In |
2x Mini XLR 3-pin connector 1x 3.5 mm stereo mini jack Built in Stereo microphones on camera body |
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Headphone Output |
1x 3.5mm stereo mini jack |
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Video Monitor Output |
1x 3G-SDI Output (BNC) |
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HDMI |
1x HDMI (Type-A) |
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USB |
1x USB-C Data Terminal (USB 3.2 Gen1) |
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SDI Output |
1x 12G-SDI Output (BNC) |
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Time Code |
1x DIN1.0 / 2.3 (Input / Output) |
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Genlock |
1x DIN1.0 / 2.3 (shared with Sync & Return) |
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Sync |
1x DIN1.0 / 2.3 (shared with Genlock & Return) |
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DC Input |
12V (4-pin XLR / 11.5-20V) |
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Multi-Accessory Shoe |
Yes (via camera body or top handle) |
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Remote Control Terminal |
1x 2.5 mm stereo mini jack |
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Lens Terminal |
1x 12-pin jack |
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Ethernet Terminal |
1x RJ45 Connector (1000BASE-T compatible) |
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Grip |
1x USB-C Terminal (for supplied Hand Grip only) |
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IP Streaming / FTP |
IP Streaming via Ethernet / Wi-Fi connection 9 Mbps / 4 Mbps: 1920 x 1080 UDP / RTP / SRT / RTP+FEC / RTSP+RTP |
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User LUT Input |
Yes, in-built LUTs available for monitoring. Custom LUTs can be applied directly to internal recordings via Look File function |
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Video Connector |
1x USB-C Terminal (for supplied LCD Monitor only) |
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Tally Signal |
Yes, via Wi-Fi or Ethernet using XC Protocol |
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Return Signal Input |
1x DIN1.0/2.3 (shared with Genlock & Sync) |
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Default Function Button Settings |
1. MAGN. 2. PEAKING 3. WFM 4. S&F 5. ISO / GAIN 6. SHUTTER 7. S&F FPS 8. AUDIO STATUS 9. WB 10. SET WB 11. FUNC 12. (unassigned) 13. AF LOCK |
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User Assignable Buttons |
13x (Body) / 3x (Hand Grip) / 2x (LCD Monitor) |
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MISCELLANEOUS |
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Tally Lamp |
Yes, 2x |
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Custom Dial |
Yes, 3x |
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Software Application Support |
Cinema RAW Development XF Utility EOS VR Utility Remote Camera Control Application RAW Plugin for Avid Media Access RAW Plugin for Final Cut Pro XF Plugin for Avid Media Access EOS VR Plugin for Adobe Premiere Pro CV Metadata Plugin for Adobe After Effects Live Link Plugin for Unreal Engine CV Metadata Extraction Tool MP4 Join Tool HEVC Activator |
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Smartphone Application Support |
Canon Multi-Camera Control Content Transfer Professional Browser Remote Control |
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EXPOSURE |
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Exposure Metering |
Standard / Spotlight / Backlight |
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Exposure Compensation |
AE shift function available. |
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Auto Exposure Mode |
Auto Iris / Auto ISO |
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Push Auto Iris |
Yes |
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Exposure Lock |
No |
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Auto Gain Control Setting |
Yes |
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ISO Sensitivity8 |
1-Stop Display : 100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 / 102400* 1/3-Stop Display : 100* / 125* / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 8000 / 10000 / 12800 / 16000 / 20000 / 25600 / 32000 / 40000 / 51200 / 64000* / 80000* / 102400* *when ISO Extended Range is set to ON **when ISO Extended Range is set to OFF |
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Auto Focus System |
Dual Pixel CMOS AF II + EOS iTR AF X |
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AF Frame Sizes |
Full: approx. 100% (Vertical) x approx. 100% (Horizontal) Large Zone (Vertical) : Video display range approx. 97% (Vertical) x 25% (Horizontal) Large Zone (Horizontal) : Video display range approx. 43% (Vertical) x 76% (Horizontal) Zone: Video display range approx. 43% (Vertical) x 25% (Horizontal) Small Zone : Video display range approx. 15.9% (Vertical) x 11.8% (Horizontal) |
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Auto Focus Modes |
Continuous AF / One-Shot AF |
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Face Detection AF |
Yes (Eye / Face / Head / Body) |
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Animal Detection AF |
Yes (Dogs / Cats) |
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Focus Guide |
Yes, with compatible Canon lenses |
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Gain Setting9 |
-6dB*, -3dB*, -2dB**~48dB, 51dB*, 54dB* *when ISO Extended Range is set to ON **when ISO Extended Range is set to OFF |
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SHUTTER |
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Control Modes |
Speed / Angle / Clear Scan / Slow Shutter |
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Shutter Speed |
1/1~1/2000 (total of 45 settings) |
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Shutter Angle |
11.25º to 360º depending on frame rate |
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Slow Shutter (SLS) |
1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
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Clear Scan |
23.97 Hz~2000 Hz depending on sensor mode / frame rate |
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CUSTOM PICTURE |
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Stored Configurations |
C1 : Canon 709 C2 : Canon Log 2 C3 : Canon Log 3 C4 : BT.709 Wide DR C5 : BT.709 Standard C6 : PQ C7 : HLG C8 : EOS Standard C9 : EOS Neutral C10 : User10 ~User20 |
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HDR-HLG Profile |
BT.2100 : Corresponds to ITU-R BT.2100 Vivid : Corresponds to Traditional Colour in ITU-R BT.2390 |
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Colour Matrix |
Neutral : Accurate colour reproduction Production Camera : Colour reproduction for use in movie production Video : Colour reproduction with contrast for TV broadcasts. |
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Image Adjustment Parameters |
Master Pedestal Master Black Black Gamma Low Key Saturation Knee Sharpness Noise Reduction Skin Detail Colour Matrix Tuning White Balance Colour Correction |
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WI-FI & GPS SPECIFICATIONS |
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Wi-Fi (Optional Third PartyAccessory) |
In-built (2.4 / 5GHz bands) Supporting 802.11a/b/g/n/ac |
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GPS Information |
Only when equipped with GP-E2 GPS Receiver) |
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WHITE BALANCE |
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Auto |
Yes |
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Preset |
Daylight (5600K), Tungsten (3200K), Kelvin |
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White Balance Shift |
-5 CC - +5 CC (Daylight / Tungsten) -20 CC - +20 CC (Kelvin) |
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TIME CODE |
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Count Up System |
Regen / RecRun / Free Run / External / Frame Count |
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AUDIO |
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Recording Format |
RAW / XF-AVC : Linear PCM (24-bit / 48 kHz, 4 channels) XF-AVC S / XF-HEVC S : Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16-bit 48kHz) 2 channels |
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ACCESSORIES |
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Supplied |
LCD Monitor LCD Attachment Unit MC-5U Monitor Cable Handle Unit Camera Grip BP-A60N Battery Pack CA-CP300 B Compact Power Adapter CG-A20 Battery Charger Microphone Holder |
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Optional |
BP-A60N / BP-A30N Battery Pack BP-A30 / BP-A60 Battery Pack CG-A20 / CG-A10 Battery Charger CA-CP300 B Compact Power Adapter MC-5U Monitor Cable PL-RF Mount Adapter EF-EOS R Mount Adapter EF-EOS R Control Ring Mount Adapter EF-EOS R Drop-In Filter Mount Adapter EF-EOS R 0.71x Mount Adapter Remote Camera Controller RC-V100 Remote Camera Controller RC-IP100 Remote Camera Controller RC-IP1000 DM-E1D Multi-Function Shoe Directional Stereo Microphone OC-E4A Off-Camera Shoe Cord IFC-100U / IFC-400U Interface Cable |
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Third Party Accessories |
Tascam CA-XLR2d XLR Microphone Adapter |
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POWER SOURCE |
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Power Supply (Battery)10 |
BP-A60N (Supplied) BP-A30N / BP-A30* / BP-A60* (Optional) |
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Power supply (Mains) |
DC IN 12V terminal : DC 11.5V - 20V (4-pin XLR) |
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Power Consumption |
Cinema RAW Light: FF / 6K / 59.94P - 32.5W Cinema RAW Light: S35 / 4.3K / 59.94P - 30.4W XF-AVC: FF / 4K / 59.94P - 31.6W XF-AVC: FF / 2K / 59.94P - 29.7W |
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Recording Time |
With supplied BP-A60N battery pack: Approx. 155 - 170mins (depending on recording mode) |
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PHYSICAL SPECIFICATIONS |
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Dimensions |
Approx. 142 x 135 x 135 mm |
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Weight (Body Only) |
Approx. 1540 g |
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Weight (Accessories) |
LCD Monitor: Approx. 155g LCD Attachment Unit: 260g MC-5U Monitor Cable: Approx. 25g Handle Unit: Approx. 300g Camera Grip: Approx. 270 g BP-A60N Battery Pack: Approx. 465g CA-CP300 B Compact Power Adapter: Approx. 219g Battery Charger CG-A20: Approx. 145g Microphone Holder + 2 screws: Approx. 60g |
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Operating Temperature Range |
Approx. 0 to 40°C, (85% relative humidity) |
What’s in the box
| Artikelnummer | CAN-6388C003 |
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| Price | EUR 7.021,00 |
| Hersteller | Canon |